Monday, January 25, 2016

2015 Year in Review

I'm still catching up on a lot of the Oscar noms this year. For instance, I still have to see The Hateful 8 and The Martian. But here are my thoughts on the movies of 2015:

Overview

What a competitive Oscar season! And so many Sci-fi/special effects/action-heavy movies competing for the same awards against the traditional "Oscar bait" pictures. I love that Mad Max Fury Road, The Revenant, and Star Wars The Force Awakens are all competing for a lot if the same categories. And they're actually competitive! Who's going to win Editing, Cinematography, Production Design, Sound? They're all anyone's game. Even Best Picture and Director could easily go to Mad Max, The Revenant, or The Big Short, and I would not be angry about any of them winning.

Another thing I find amazing about this year is that we have three films that are so unanimously reviewed. Everybody I talk to in real life and every review I read or hear gives the same likes and dislikes for Mad Max, The Revenant, and The Force Awakens. I've never seen films so universally enjoyed by critics and audiences. That's not to say these films are without problems, but, rather, everyone recognizes the problems and likes the films anyway for what they did well.

So, that said, let's make some lists, because the internet loves lists.

Top 5 Personal Favorites of 2015
1) Mad Max Fury Road
2) Jurassic World (don't hate!)
3) Star Wars Episode VII: The Force Awakens
4) Bridge of Spies
5) The Peanuts Movie

Top 5 Disappointments of 2015
1) Spectre
2) Inside Out
3) Avengers: Age of Ultron
4) Black Mass
5) Star Wars Episode VII: The Force Awakens

Top 5 I Missed and Want to See
1) Ex Machina
2) The Martian
3) The Hateful 8
4) Ant Man
5) The Heart of the Sea (I think? Based on what my dad said about it?)

Top 5 I'm Looking Forward to in 2016
1) Rogue One
2) Captain America: Civil War
3) 10 Cloverfield Lane
4) The Jungle Book
5) Star Trek Beyond
Honorable Mention: Swing State (because it's the feature is just finished working on)

Thank you for reading, and here's to 2016.

The Big Short Revenant

I've wrapped the feature film that took up all of my January, and I finally have time to see movies and write about them again.

I saw The Big Short last night and The Revenant the week before and noticed a few interesting similarities between the two, so I've decided to combine my reviews. I'll also likely mention Mad Max: Fury Road and Star Wars: The Force Awakens quite a bit in this post as all four of these movies are competing for a lot if the same categories at the Oscars this year.

The Revenant

What a gorgeous film. The camera work in the opening battle and subsequent battles/fight scenes is mind-blowing. The steadicam follows a character; he gets shot with an arrow and dies; a new character runs past the action and we pick him up, moving with his frantic escape attempt, and an arrow hits him and he dies; and the camera keeps moving, showing us more and more action in a single, amazing take.

And there are so many 360 degree shots that almost brag about the filmmakers' use of all-natural light.

And the landscapes! It's no wonder Revenant is up for Best Production Design. Though, much like Mad Max, the "production design" is mostly just good use of beautiful locations.

Story-wise, I think Revenant is actually rather plain. It's a simple revenge story mixed with some woodland survival, all of which we've seen before. Now, the film's technical prowess more than makes up for it's straight-forward story and character arcs. The directing and camera work keep you on the edge of you seat. While the long-story is predictable, individual moments are full of suspense, and I actually gasped at one surprise that involved a horse (if you've seen it, you'll know).

Speaking of characters, I thought Tom Hardy gave a stellar performance, even though I couldn't quite understand all of his dialogue. His squirrel monologue was quite entertaining and engaging, and such a good character study moment.

Leo, however. I like Leo. I think he deserves an Oscar. But not for this film. Here's why: Does he give a great performance? Yes, absolutely. Can you tell how much passion and dedication he poured into the role? Yes. And I give him kudos for each. However, I don't think he gave a performance that demanded his talents. That is to say, I think just about any solid actor could have been put into that role, given a good performance, and the movie wouldn't have been any worse. To me, there was nothing particularly special about Leo's performance that made that rather cliché, under-written character come to life.

I haven't seen a lot of the other Oscar nominated performances this year, so I can't say if any of them deserve it more than Leo does; but I want Leo to win his statue for a truly spectacular role, and I don't think it's this one.

Now, on to...

The Big Short

Who'd have thought the director of my favorite Will Farrell movie (yes, Talladega Nights) would be nominated for an Academy Award? Let's give Adam McKay some major kudos, because The Big Short is one of the most unique movies I've seen in a long time. It has a voice that is all its own, and damn do I respect that.

Good performances all around. And the writing! They way it boils down the Wall Street lingo and process to be understood by financial idiots (like me) is absolutely brilliant. Engaging from beginning to end.

Now, here's where I start to talk about a lot of movies. Big Short, Mad Max, Revenant, and Star Wars are all up for Best editing this year. And I have no idea who deserves it. Probably Mad Max, and I say that for three reasons. 1) Mad Max's editing is about as perfect as editing can be. They maintain continuity and screen space during insane action sequences, and you the viewer always know what's happening. 2) I had some nitpicky problems with The Revenant and The Big Short's editing. Both movies spend a little too much time on their transitions. Yes, Revenant, you can have too many pretty shots of clouds and too much pretentious dead wife dream sequence. 3) And, while Force Awakens does have very solid editing, it's doesn't stand out nearly like the other three films I've mentioned. Now, you could say that that's its virtue: good editing is editing you never notice, so maybe this category really is anyone's game.

I'll have more Oscar talk in my next post, my 2015 year in review.

Long story short...

Go see The Revenant, because it's very pretty.

Go see The Big Short, so you can understand how evil and stupid big business is. Rise up, Comrades!

Sunday, January 3, 2016

Six Alternative Versions of Episode VII

I've noticed that most of my friends and most of the internet all have the same likes and dislikes with Star Wars Episode VII: The Force Awakens.  A lot of reviews site the same disappointments and the same triumphs.  I feel like I wouldn't really add much to the conversation if I wrote a review, so, instead, I'll offer my Six alternative versions of Episode VII for your entertainment.

[SPOILER ALERT] I will mention specific events from Episode VII.

For Better
1) Kill Po Dameron.  Not because I disliked his character or anything.  But imagine how ballsy it would've been if they killed him off in the TIE Fighter crash at the beginning?  A main character dead out the gate.  That sets the precedent for the rest of the film.  Anyone can die; no one is safe.  The stakes would've been so high, and it would've made the whole movie more intense.

2) Remember when we gave George Lucas shit for having the finale of Jedi be a bigger Death Star?  Let's be honest, Force Awakens would have been SO much better without Starkiller Base.  Look at what the alternate script could've been:

The open crawl starts with "Luke Skywalker has vanished."  There.  That's what the movie's about.  It starts off that way.  As it is, the movie sets up to be a huge story about searching for Luke.  If that had been the main focus of the movie, we would've gotten a nice, character-driven adventure that would've been a very personal story.  Something akin to what made us love Mad Max: Fury Road, Jurassic World, and another movie I really liked. . . what was the name of it. . . oh yeah The Empire Strikes Back.  When the stakes aren't the end of the world, just the main characters' lives, it makes for a more intense, emotional story.  It's personal, and it draws us in.

This idea would probably have slowed down some of the parts that felt very rushed and forced.  Like everything with Maz Kanata.  She's one of only two new characters I disliked.  I felt like her quirkiness and wisdom was really forced on me.  Like Disney said, "Hey, you like weird quirky, strong women.  Eat this shit up you assholes."  It felt to me as forced as all the A New Hope throwbacks where Disney just screamed, "This is Star Wars!  You love it, right?  Right?  Please love us."  I really like Rey's Force-vision at Maz's bar.  I like a lot of ideas from Maz's bar, but it's all so rushed and out of nowhere.  I'm sorry, but the execution of the Maz Kanata scenes bothered me so much, almost more than any other disappointment with the movie, which is saying a lot.  There are a lot of emotional beats that happen here that don't have nearly as much impact as they should because they don't get any breathing time.  The whole sequence is rushed (much like the movie as a whole).  And why?  Why do movies do this these days?  Do they assume everyone in the audience has ADD?  Even if they do, it doesn't mean they'll dislike a properly-paced movie.

3) If we have to keep Starkiller Base, here's how it should've ended.  Remember how the Resistance is like, "We fly inside, blow it up, and go home.  Easy.  We've done it before."  How great would it have been if they had been all cocky about it, and then they failed?  Like miserably.  Ending the movie on a low-point like that would've set the tension so high for Episode VIII.  They even had the perfect moment for it.  Here enters most disappointing new character number 2:  Captain Phasma.

Imagine a movie where Captain Phasma isn't a complete push-over (I mean, she's played by Brienne of freaking Tarth for crying out loud!).  What if instead of deactivating the shields when she's under Han and Finn's guns she activates an alarm instead, and says something cool and cold like, "I'm no traitor."  And that's what causes the Resistance to lose their attack.  How great would that have been?

For Worse
Before Episode VII came out, I was thinking to myself, "What's the worst way they could tie-in the prequels.  And I came up with this:

4) The First Order develops a virus that can kill midichlorians.  Without the midichlorians, the Jedi and the Sith can no longer feel the Force.  Chaos ensues.  The Jedi and Sith are forced to team up to stop the midichlorophage.

For Fun
5) Post Credits Scene:
Rey and Finn walk onto the Falcon.

Rey: "Chewie." *no response* "Chewie?"

The lights are dark; there's evidence someone else has been here.  A man sits in a chair in the shadows.

Mysterious Man:  "You think Luke's the only Jedi in the galaxy, Rey?  You've become part of a bigger universe.  You just don't know it yet."

Finn:  "Who the hell are you?"

The man steps forward, missing an arm.  We see his face as he enters the light:  "Mace Windu.  I'm here to talk to you about the Jedi Initiative."

6) Instead of hauling rathtars, Han is hauling an ancient Sith artifact that the First Order is trying to acquire (Supreme Leader Snoke is a nut on the subject; he's obsessed with the occult!).  It culminates in Han, Rey, and Finn being captured and present at a ritual ceremony where Kylo Ren will open said artifact (along with General Hux and Captain Phasma) to make sure it's authentic before delivering it to Snoke.

Kylo Ren:  "It's beautiful!"

Finn:  "Don't look at it, Rey!  Close your eyes!" *looks at Han, who has his eyes shut tight* "Right, Solo?  We should keep our eyes closed?"

Han just shrugs, eyes still closed.  Finn and Rey close their eyes.

Force ghosts of ancient Sith come out of the artifact and start shocking everyone with lightning.  Captain Phasma's helmet and face melt.  General Hux's head shrivels up.  Kylo Ren's head explodes.

***Later***

Han, Finn, and Rey are seated across the table from Admiral Akbar, Luke, and Leia.

Han:  "It's an artifact of terrible power, and it needs to be researched."

Admiral Akbar: "And it will be, we assure you, Captain Solo."

Luke:  "We have top men working on it right now."

Finn:  "Who?"

Leia:  "Top.  Men."

***Cut to***

R2-D2 and C-3P0 put the artifact in a crate and store it in a warehouse full of identical crates.

THE END.